Tag: Stories

Neil Gaiman on The Importance of Reading, Libraries, and Imagination

Reading Time: 4 minutes

Neil Gaiman on The Importance of Reading

If you want your children to be intelligent, read them fairy tales.
If you want them to be more intelligent, read them more fairy tales. — Albert Einstein

Neil Gaiman, who brought us one of the best commencement speeches ever, chimes in on with a lecture explaining why using our imaginations is an obligation for all citizens.

The correlation between illiteracy and prison growth.

I was once in New York, and I listened to a talk about the building of private prisons – a huge growth industry in America. The prison industry needs to plan its future growth – how many cells are they going to need? How many prisoners are there going to be, 15 years from now? And they found they could predict it very easily, using a pretty simple algorithm, based on asking what percentage of 10 and 11-year-olds couldn’t read. And certainly couldn’t read for pleasure.

It’s not one to one: you can’t say that a literate society has no criminality. But there are very real correlations.

Literacy is more important now then ever.

Literacy is more important than ever it was, in this world of text and email, a world of written information. We need to read and write, we need global citizens who can read comfortably, comprehend what they are reading, understand nuance, and make themselves understood.

On fiction as a gateway drug.

Fiction has two uses. Firstly, it’s a gateway drug to reading. The drive to know what happens next, to want to turn the page, the need to keep going, even if it’s hard, because someone’s in trouble and you have to know how it’s all going to end … that’s a very real drive. And it forces you to learn new words, to think new thoughts, to keep going. To discover that reading per se is pleasurable. Once you learn that, you’re on the road to reading everything. And reading is key.

…

[W]ords are more important than they ever were: we navigate the world with words, and as the world slips onto the web, we need to follow, to communicate and to comprehend what we are reading. People who cannot understand each other cannot exchange ideas, cannot communicate, and translation programs only go so far.

The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them.

…

And the second thing fiction does is to build empathy. … Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.

This reminds me of Keith Oatley, who when explaining the role of fiction in our lives employed the metaphor of a flight simulator. A flight simulator allows pilots-in-training to safely and quickly learn how to deal with all sorts of problems that might happen in the air. Fiction, Oatley argues, “allows us to experience emotions in a safe place, training us to understand ourselves and others.”

How well-meaning adults can kill a love of reading.

Well-meaning adults can easily destroy a child’s love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian “improving” literature. You’ll wind up with a generation convinced that reading is uncool and worse, unpleasant. … Another way to destroy a child’s love of reading, of course, is to make sure there are no books of any kind around.

Science fiction makes its way to China and the importance of imagination.

I was in China in 2007, at the first party-approved science fiction and fantasy convention in Chinese history. And at one point I took a top official aside and asked him Why? SF had been disapproved of for a long time. What had changed?

It’s simple, he told me. The Chinese were brilliant at making things if other people brought them the plans. But they did not innovate and they did not invent. They did not imagine. So they sent a delegation to the US, to Apple, to Microsoft, to Google, and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.

On the value of libraries and why anyone who sees them as nothing more than a shelf of books misses the point.

[L]ibraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.

On moving from an information scarce society to one overloaded.

Information has value, and the right information has enormous value. For all of human history, we have lived in a time of information scarcity, and having the needed information was always important, and always worth something: when to plant crops, where to find things, maps and histories and stories – they were always good for a meal and company. Information was a valuable thing, and those who had it or could obtain it could charge for that service.

In the last few years, we’ve moved from an information-scarce economy to one driven by an information glut.

Books are a gateway to making friends with the eminent dead.

Books are the way that we communicate with the dead. The way that we learn lessons from those who are no longer with us, that humanity has built on itself, progressed, made knowledge incremental rather than something that has to be relearned, over and over. There are tales that are older than most countries, tales that have long outlasted the cultures and the buildings in which they were first told.

Our obligation to daydream.

We all – adults and children, writers and readers – have an obligation to daydream. We have an obligation to imagine. It is easy to pretend that nobody can change anything, that we are in a world in which society is huge and the individual is less than nothing: an atom in a wall, a grain of rice in a rice field. But the truth is, individuals change their world over and over, individuals make the future, and they do it by imagining that things can be different

(Via @YLevitan)
(Photo via The Guardian)

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4 Must-Read Books on Storytelling

Reading Time: 2 minutes

Stories are the way in which we teach moral lessons, keep an audience engaged in what we’re saying, and convince others to pursue a course of action.

books on telling stories

In the business world, where time is short, and you need to make a point quickly the favorite device is the anecdote. These short stories help others see your point of view.

I can’t count the number of times I’ve been in a meeting where all of the evidence is pointing towards a clear path when someone, usually someone in a senior position, offers up and anecdotal counter-example.

You want to quit smoking? Why? My grandfather smoked a pack a day and he lived till 92.

And that’s all it takes. The meeting is over. All the evidence in the world doesn’t matter anymore.

This simple anecdote now has everyone ignoring the evidence and statistical distribution and focusing on the grandfather.

The problem is stories don’t really encourage us to think. They make it easy to overlook evidence, fall prey to cognitive biases, and generally encourage bad decisions.

Stories are an important weapon to have in our arsenal.

As someone trying to persuade others, you can have all the facts you want but if you can’t tell a story people won’t listen.

In response to a question recently, Demian Farnworth, a writer at copyblogger, offered up four books copywriters should read to improve their ability to tell a good story.

He spends his day writing stories and highly recommends you read these four books if you want to learn how to tell better stories.

  1. The First Five Pages: A Writer’s Guide To Staying Out of the Rejection Pile, by Noah Lukeman.
  2. Made to Stick: Why Some Ideas Survive and Others Die, by Chip and Dan Heath.
  3. How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling, by James N. Frey.
  4. Writing the Breakout Novel, by Donald Maas.

“As you’ll notice,” he writes, “these have nothing to do with copywriting. That’s okay. The discipline of storytelling translates exceptionally well over industries. What you learn in these books you can use in your sales copy.”

And sales copy is just a fancy way of persuading people to come around to your point of view. Just make sure you’ve done the work.

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Ira Glass: The Art and Craft of Telling Great Stories

Reading Time: 0 minutes Less than a minute

Ira Glass, host of This American Life, gives a funny and thought-provoking talk from the 2007 Gel Conference on what makes a great radio program. Along the way he offers some tips on what makes a good story, how to hold the listener’s attention, and how to tie the story into your post.

“Narrative,” he says, “is basically a machine that’s raising questions and answering them.”

(h/t openculture)

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The (Honest) Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves

Reading Time: 3 minutes

“Essentially, we cheat up to the level that allows us to
retain our self-image as reasonably honest individuals.”
— Dan Ariely

***

In his book, The (Honest) Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves, Dan Ariely attempts to answer the question: “is dishonesty largely restricted to a few bad apples or is it a more widespread problem?”

He concludes that we’re mostly honest as long as the conditions are right:

We are going to take things from each other if we have a chance … many people need controls around them for them to do the right thing. … [T]he locksmith told Peter that locks are on doors only to keep honest people honest. “One percent of people will always be honest and never steal,” the locksmith said. “Another one percent will always be dishonest and always try to pick your lock and steal your television. And the rest will be honest as long as the conditions are right—but if they are tempted enough, they’ll be dishonest too. Locks won’t protect you from the thieves, who can get in your house if they really want to. They will only protect you from the mostly honest people who might be tempted to try your door if it had no lock.”

We’re ok cheating, as long as its just a little and unnoticeable.

as long as we cheat by only a little bit, we can benefit from cheating and still view ourselves as marvelous human beings. This balancing act is the process of rationalization, and it is the basis of what we’ll call the fudge factor theory.

Something that stood out for me was the chapter on the relationship between creativity and dishonesty. According to Ariely, the link between creativity and dishonesty is not as straightforward as we might think — The more creative we are the better we are at rationalising dishonest behavior.

We may not always know exactly why we do what we do, choose what we choose, or feel what we feel. But the obscurity of our real motivations doesn’t stop us from creating perfectly logical-sounding reasons for our actions, decisions, and feelings.

… We all want explanations for why we behave as we do and for the ways the world around us functions. Even when our feeble explanations have little to do with reality. We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.

We don’t make rational decisions. Our choices are (mostly) not based on explicit preferences and thought through. Rather, we follow our intuition with “mental gymnastics” to justify our actions. Conveniently this allows us to get what we want and maintain our ego. We tell ourselves that we are acting rationally. The real difference Ariely found between more and less creative people is the creativity of the justifications. “The most creative we are,” he writes, “the more we are able to come up with good stories that help us justify our selfish interests.”

This really comes down to our storytelling nature:

We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.

The idea that worries Ariely the most is the trend toward cashless payments. “From all the research I have done over the years,” he writes, “the idea that worries me the most is that the more cashless our society becomes, the more our moral compass slips.”

One factor that Ariely didn’t contemplate that I think it is important is how our environment — whether we’re in an environment of abundance or scarcity — affects our moral compass. Intuitively, I think it’s a lot easier to rationalise moral transgressions in an environment of scarcity than one of abundance.

 

The (Honest) Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves is worth reading in its entirety.

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How feeling powerless directs the narratives of our mind

Reading Time: 1 minute

In his new book Mastery, Robert Greene writes discusses how feeling powerless directs the narratives of our mind.

We live in a world that seems increasingly beyond our control. Our livelihoods are at the whim of globalized forces. The problems that we face—economic, environmental, and so on—cannot be solved by our individual actions. Our politicians are distant and unresponsive to our desires. A natural response when people feel overwhelmed is to retreat into various forms of passivity. If we don’t try too much in life, if we limit our circle of action, we can give ourselves the illusion of control. The less we attempt, the less chances of failure. If we can make it look like we are not really responsible for our fate, for what happens to us in life, then our apparent powerlessness is more palatable. For this reason we become attracted to certain narratives: it is genetics that determines much of what we do; we are just products of our times; the individual is just a myth; human behavior can be reduced to statistical trends.

Many take this change in value a step further, giving their passivity a positive veneer. They romanticize the self-destructive artist who loses control of him- or herself. Anything that smacks of discipline or effort seems fussy and passé: what matters is the feeling behind the artwork, and any hint of craftsmanship or work violates this principle. They come to accept things that are made cheaply and quickly. The idea that they might have to expend much effort to get what they want has been eroded by the proliferation of devices that do so much of the work for them, fostering the idea that they deserve all of this—that it is their inherent right to have and to consume what they want. “Why bother working for years to attain mastery when we can have so much power with very little effort? Technology will solve everything.” This passivity has even assumed a moral stance: “mastery and power are evil; they are the domain of patriarchal elites who oppress us; power is inherently bad; better to opt out of the system altogether,” or at least make it look that way.

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Michael Mauboussin: Untangling Skill and Luck in Business, Sports, and Investing

Reading Time: 3 minutes
the success equation

In The Success Equation: Untangling Skill and Luck in Business, Sports, and Investing, Michael Mauboussin goes beyond the general idea that luck is important to outcomes. He explains the type of interactions where luck is important and dives into why we have a difficult time comprehending the role of luck.

“The basic challenge,” he writes, “is that we love stories (narrative fallacy) and have a yearning to understand the relationship between cause and effect. As a result, statistical reasoning is hard, and we start to view the past as something that was inevitable.”

Mauboussin goes on to explain how we should untangle skill and luck so we can get a feel for where they fall on the luck-skill continuum. “Where an activity falls on that continuum,” he writes “provides a great deal of insight into how to deal with it.” Skill tends to follow an arc – improving, stagnating, and then ultimately going lower.

In activities where the results are independent of one another, simple models effectively explain what we see. But when a past result affects a future result, predicting winners becomes very difficult. The most skillful don’t always win.

As a sports fan, I enjoyed the breakdown of the contribution of luck in some professional sports leagues:
IMG_0031

And something to keep in mind, “the contribution of luck has been rising steadily over time in most sports, which means that the players are all converging on an equal level of skill.” Although, this doesn’t apply to basketball.

On automatic decision making, Mauboussin writes:

The problem with this sort of automatic decision-making apparatus is that it only works under very specific circumstances. Intuition works when the environment is stable and an individual has the opportunity to spend a great deal of time learning about it. . . . Trouble arises when individuals rely too heavily on their experience in making automatic decisions. When we age, we tend to avoid exerting too much cognitive effort and deliberating extensively over a decision that needs to be made. We gradually come to rely more on rule of thumb. This means that we make poorer choices in environments that are complex and unstable.

Organizations also lose skill with age.

Probably the best explanation for why companies decline is that they fall prey to organizational rigidities. Companies must balance exploiting profitable markets with exploring new markets. Exploiting known markets requires optimizing processes and executing effectively, and leads to reliable, near-term successes. Exploring unknown markets requires search and experimentation and offers none of the immediate benefits of exploitation.

Finding the best balance between exploration and exploitation depends on the rate of change in the environment. When change comes slowly, the balance can tilt toward exploitation. When it comes quickly, an organization must dedicate more resources to exploration, since profits are quickly exhausted. In general, companies tend to lean more on exploitation, which increases efficiency and profits in the short run but makes the company rigid, a state of affairs that only grows worse with age. Similar to aging individuals, companies rely on methods and rules of thumb that worked well in the past rather than embrace novelty. Companies, too, follow an arc of skill.

The book is full of tips. Deliberate practice helps develop differentiating skill when only a little luck is involved in the outcome. That is, the larger the impact of skill on the outcome, the more effective deliberate practice becomes. On the other hand, “where luck is rampant,” he writes, “we must think of skill in terms of a process because the results don’t provide clear feedback.”

Checklists, are also important because they guide behavior.

Sometimes, of course, you want to defend against luck. If you’re a heavy favorite, you want to neutralize the other teams luck, so your aim should be to simplify the game. When you’re the underdog you want to make the game as complex as possible. Effort and strategy can compensate for skill.

And if you need another reason to read The Success Equation: Untangling Skill and Luck in Business, Sports, and Investing, you can find a copy on Warren Buffett’s Desk.
The Success Equation

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