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Performance|Reading Time: 3 minutes

Daily Rituals: How Artists Work

I know it sounds strange but I love learning about how people go about creating things. So you can imagine my delight when I came across Mason Currey’s new book Daily Rituals, which describes how 161 inspiring minds maneuver the “many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do.”

Some wake up early. Some sleep in late. Some drink too much. Some won’t touch the stuff. Just as no two people are the same, no two routines are the same.

The book’s title is Daily Rituals, but my focus in writing it was really people’s routines. The word connotes ordinariness and even a lack of thought; to follow a routine is to be on autopilot. But one’s daily routine is also a choice, or a whole series of choices. In the right hands, it can be a finely calibrated mechanism for taking advantage of a range of limited resources: time (the most limited resource of all) as well as willpower, self- discipline, optimism. A solid routine fosters a well- worn groove for one’s mental energies and helps stave off the tyranny of moods. This was one of William James’s favorite subjects. He thought you wanted to put part of your life on autopilot; by forming good habits, he said, we can “free our minds to advance to really interesting fields of action.” Ironically, James himself was a chronic procrastinator and could never stick to a regular schedule.

The book is full of detail, anecdote, and advice.

Consider …

W.H. Auden on passion: “A modern stoic knows that the surest way to discipline passion is to discipline time: decide what you want or ought to do during the say, then always do it at exactly the same moment every day, and passion will give you no trouble.”

“(Francis Bacon’s) idea of dieting,” Mason writes, “was to take large quantities of garlic pills and shun egg yolks, desserts, and coffee—while continuing to guzzle a half-dozen bottles of wine and eat two or more large restaurant meals a day.”

Thomas Wolfe, Mason writes, “had been unconsciously fondling his genitals, a habit from childhood that, while not exactly sexual … fostered “such a good male feeling” that it had stoked his creative energies. From then on, Wolfe regularly used this method to inspire his writing sessions, dreamingly exploring his “male configurations” until the “sensuous elements in every domain of life became more immediate, real, and beautiful.”

“(Patricia Highsmith) had ideas, she said, like rats have orgasms,”

We’ll be taking a closer look at some of these inspiring minds in the days ahead.

From the Jacket:

Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.”

Kafka is one of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”

Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . .

Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).

Daily Rituals just might inspire you.

Read Next

Next Post:Hemingway’s Routine In his book, Daily Rituals, Mason Currey dug into Hemmingway’s 1958 Paris Review interview: When I am working on a book or a story I …

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